Don Chance Guitar Page
This page is a compilation of sites I have bookmarked over time and other stuff I have added as I began working on this page. No claim of quality either on this page or any of these links is expressed or implied. In fact, dubious quality is everywhere on the Internet and maybe even here.
If you have any suggestions, email them to me at dchance@lsu.edu. However, I may or may not add them, so don't be upset. I have gotten some interesting emails, including some from professionals. I would REALLY like to hear if any serious musicians find this page helpful.
Chord Finders
The following are sites that enable you to look up chords. Unfortunately, these sites are of varying quality. I rarely find that I can rely on any one site. I must admit, however, that there is some clever material on here. Too bad they couldn't all merge into one.
| ChordFind | Cyberfret |
| Crossroads Guitar | Guitar.to |
Tabs
These sites contain a massive collection of songs in which individuals, mostly rank amateurs have provided tabs and/or chords to popular songs. Like the rest of the Internet, there is no quality control, and I mean that in a big way. While occasionally you may find that someone has done a good job tabbing or figuring out the chords to a song, the number of mistakes is massive. Some of these kids cannot even tell the difference in sound between a D and a B minor. What's even worse is the number of occasions in which some idiot tabs a few measures and then writes something like "I think that's pretty close. You can get the rest." or "That's all I've got right now. I'm tired. I'll try to do the rest later." Nonetheless, I find myself referring to tab sites often. If you know the song well enough and if your ear can tell when something doesn't sound quite right, you can usually filter out the trash and use the small amount of material here that's quite good. Of course, in that regard, even semi-professionals mess up. I'm reminded of what Paul McCartney said when he saw an advertisement for a guitar school that promised to teach "the special tuning used in Blackbird": "Well, I'd sure like to know because I play it in standard tuning."
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Guitar Tabs |
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Guitar World |
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Harmony Central Tabs |
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Fretplay |
In line with this, the digital sheet music sites are generally pretty good. For anywhere from $2 - $6 a song you can get copyrighted sheet music downloaded to your computer. Needless to say this stuff is exactly the opposite in quality from the tab sites, though even copyrighted sheet music is not 100% accurate. Producers of copyrighted sheet music simply pay a fee to the owners of the song and hire someone to transcribe it. And that someone is not the artist who recorded it (I suspect most recording artists never see the sheet music of their songs.) It's also interesting to observe that there are multiple copyrighted sheet music versions of a given song, no doubt due to the fact that there are multiple transcriptionists. Generally all versions contain the piano G clef usually combined with either the F clef, G clef melody, or guitar tabs but rarely do you get all. So watch what you buy just to be sure you're getting the one you want. I like Musicnotes.com and I compliment them highly for taking care of me recently with a small customer service problem that was my fault.
Guitars
Listed below are links to over 100 manufacturers of guitars. Some of these companies are owned by other companies within the same list (e.g., Gretsch is owned by Fender, Epiphone is owned by Gibson) but I list them separately because they have their own web sites and are distinctly different guitars. (Well, ok, some Epiphones are practically the same as some Gibsons. Lighten up.) Some of these companies are small operations that make only custom guitars. Also, some of these companies make electric guitars as well. For companies that make only electric, see the list that follows this one.
If you're an independent luthier or a full-blown factory manufacturer and are not included here, please send me an email and I will add you.
Here are some companies and luthiers that make only electric guitars (to my knowledge):
Burns
Daisy Rock (an interesting concept of
guitars made specially for young girls)
Eastwood
ESP
Floyd Rose
Parker
Renaissance (Rick Turner) (the
Linsdey Buckingham guitar)
Silvertone
Stewart
Andrew Wright
Strings
I cannot tell you how important strings are. If I emphasize it, it won't be enough. You can sit down in a music store with your eyes closed, play a guitar and feel like you love it so much that you have to have it. You can play another one and it just doesn't feel right. Guess what? They could be the same guitar. They just have different strings. As a rule, lighter strings (called light and even lighter that are called extra light or super light) will be easier to play and give the illusion that the guitar has good action (a small distance between strings and fretboard). Medium to heavy strings will give the illusion of high action. Most guitarists, especially beginners, prefer low action. Don't let this fool you into buying or avoiding a particular guitar. Try to find out what kind of strings are on it.
Generally I prefer 12-54s for my acoustics and 11-48s for my electric (these refer to the gauge or thickness of the 1
st and 6th strings). An electric with lighter strings will play well as a rhythm guitar but not as well as a lead guitar. As a lead, the strings will bend too easily and give a tinnier tone. Generally you will want something heavier for leads. Lighter strings will also break more easily, so I recommend keeping a used set around to replace a broken one until you're ready to change the whole set.(Also, note that when I mention the string gauges 12-54 and 11-48, not all are the same. So two 12-54s could have different gauges for the inner strings.)
Of course, many of the large manufacturers such as Fender, Gibson, and Martin make excellent strings. For some good material on guitar strings, see www.stringitup.com.
| Black Diamond | Drstrings | Ernie Ball |
| Cleartone | Dunlop (strings and other) | GHS |
| D'Addario | Elixir | Dean Markley |
There must be as many ways of stringing a guitar as there are guitars. When I bought my Martin, I tried to string it the way the Martin manual said to do it. It worked, but frankly it looked like crap, and I was embarrassed at what the guitar technician must have thought when I brought it in for some minor repair work. I checked out a number of Internet articles on how to string a guitar, and I must admit, nothing beats this one. It's neat, tight, and simple.
As for how often to change strings, it depends. When I'm not traveling and can play about an hour a day, I sense my strings losing quality after about a month. So figure maybe 30-50 hours. You will know when they're losing their quality. It will be when you need to tune them more often and it's harder to get them into tune. Strings need a lot of tuning when first put on because they're still stretching out. They then reach the optimal point in their lives and need little tuning. Then they get "over the hill" (like people), and you have to tune them often. For what it costs, I find that replacing them is worth it at that point. As for their tuning optimum, I find with a very good guitar and good strings, I can play for a couple of weeks without them getting out of tune. I do take decent care of my strings, cleaning them regularly, though I don't think it really prolongs their life. I just don't like playing strings that I can tell are multicolored due to various hues of dirt from my fingers.
While you're thinking about strings, you might want to consider getting some new bridge pins. The original pins on my Martin did a poor job of fitting into the holes. Does that matter? Probably not, but I didn't hesitate to replace them, because bridge pins are cheap and fitting snuggly into holes is all they do in life.
Picks and Picking
OK, there are people for whom getting the right pick is critical. You might say they are a bit "picky." Frankly, I am primarily a fingerpicker and I do not use fingerpicks and I do not let my nails grow long to replicate fingerpicks. I use my bare fingers. Nonetheless, playing a strumming rhythm with your fingers is not the best way to do it, so yes, I am forced to use picks. And I use picks with my electric. But I am most at home using my fingers. Whatever you feel best with is what you should do. But I want to emphasize that just because almost all guitarists use picks does not mean you should. I stress that you give serious consideration to learning how to fingerpick. There is so much you can do fingerpicking that you cannot do with a pick wedged between your thumb and forefinger. (Try plucking two non-adjacent strings and you'll know what I mean.) I hope that made sense. Sorry, I'm just a bit of a control freak with certain activities. (For example, I drive only a manual transmission car.)
As for types of picks, there is almost nothing I care less about. Large, small, medium, etc. Just get something that feels ok in your hands, if you must use a pick.
Books
OK, I know there are probably more guitar books than there are guitars. Here are a few of my personal favorites.
Magazines
My preference being acoustic, I recommend these.
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Acoustic Guitar (my personal favorite so far) |
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Fingerstyle Guitar |
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Guitar World Acoustic |
Guitarists
Obviously this is not an extensive list. There are just too many. My personal favorites are listed below. They're not all on the list so much because they're great guitarists (surely debatable on some) but because of what they accomplished with the guitar, i.e., the total package of songwriting, vocals, performance, etc. I may add some from time to time as I think of them and get more familiar with them.
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Lindsey Buckingham (one of the few fingerpicking rock guitarists) |
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Eric Clapton (needs no justification) |
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Sharon Isbin (created the first guitar department at the Juilliard school) |
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B. B. King (needs no justification) |
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Roger McGuinn (pioneered the 12-string when with the Byrds) |
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Jimmy Page (needs no justification) |
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Paul Simon (one of the first acoustic guitarists to be a rock star) |
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Stephen Stills (his "Suite: Judy Blue Eyes" is one of the greatest guitar masterpieces of all time) |
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James Taylor (after Simon, maybe the second acoustic guitarist to be a rock star) |
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Doc Watson (a constant reminder that you shouldn't have to look at your fingers to play) |
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Nancy Wilson (of Heart) (Well, ok, I don't know if I really have a reason. She just looks so hot jumping up and down playing her guitar. Well, yes, she really is a pretty good guitar player.) |
Amplifiers
Of course many manufactures make excellent amps, though most are geared for electric guitars. The following manufacturers make models specifically for acoustic guitars (though most make them for electrics as well):
| Acoustic Image | Crate | Genz Benz | Schertler |
| Ashdown | Fishman | Roland | UltraSound |
| Line 6 | Acoustic Electric Rsch | Soundboard | Walker Labs |
| Hartke (Samson) |
Miscellaneous
Stuff that doesn't fall in the categories above.
For anyone interested, feel free to read my product review of the glider capo.
Advice for New Guitarists
I know there are plenty who will disagree, but spare me the lecture. Read this list all the way through, especially the last item.
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Don't start too young. Small fingers can get easily discouraged. I think 12 is young enough but don't be afraid to start younger if you or your child is so inclined. | ||||
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Guitar is a physically demanding instrument:
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Don't spend a lot of money on your first guitar. You may not take well to guitar. A fairly inexpensive one is enough to determine if this is just a fancy or something you'll stick with. | ||||
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Your guitar will get nicks, dents, scratches, you name it. It's like a car. You will absolutely hate it when it happens. But you must realize there is no way you can pick up a finely crafted piece of wood on a regular basis and have it sustain no damage. Barring a major catastrophe, most guitar damage can be repaired by experts, although at high cost. Just expect it to happen and don't act like it's the end of life as you know it. Some people even think certain guitars sound better after damaged. Check out Willie Nelson's guitar called Trigger. | ||||
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Get a capo. I can't say enough about how this little device will improve your range and build confidence in your ability to play a lot of different songs. (I have more comments on capos in a couple of other places on this site.) | ||||
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Get an electronic tuner. People who tell you they don't need one are fooling themselves. There is no question that tuning is the most important thing you need to learn at the start. An improperly tuned guitar will either discourage a novice by spitting out disharmonious sounds or will condition the untrained ear to think these sounds are what it's supposed to sound like. | ||||
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Spend some time learning music theory as it applies to guitar, especially if, like me, you never had any musical training. | ||||
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Harmonics are overrated. You don't need them to tune your guitar. It'll sound the same regardless. Harmonics are also far too soft to get enough volume. Nonetheless, they sound pretty cool, so learn how to play them. When you first hear the "ping" of that twelfth-fret harmonic on the first string, you ear will be pleased. But that's about it. | ||||
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Don't ever act like you know more or less or play better or worse than the person you're playing with. If that person breaks this rule, be confident that some day you'll get revenge when they don't know what A#º7 is and you do. | ||||
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Keep your left elbow completely free ("right elbow" if you're left handed.) It should not be leaning on anything. My worst habit. | ||||
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Whenever you hear someone say "All the experts use/do/say/believe," take it with a grain of salt. In fact, I'm inclined to believe just the opposite. In the music world (actually, in all the world) there are far too many people who act like know-it-alls. Keep in mind the old saying that goes, "It is easy to repeat something that has been said 1,000 times." So don't believe everything you read about guitars on the Internet or anywhere else and even on this web site. Hey, don't even believe everything on this list. It might not apply to you. |
My Equipment
| Guitars and all | Other |
| Martin DC16GTE | Strings: Martin Acoustic SP Phosphor Bronze Light 12-54 |
| Epiphone EJ-200 | Strings: Martin Acoustic SP Phosphor Bronze Light 12-54 |
| Martin DM12 (12-string with electronics) | Strings: Martin Acoustic SP Phosphor Bronze Light 12-54 |
| Fender (American) Highway 1 Telecaster | Strings: Dean Markley Signature Series Nickel Steel Electric 11-52 |
| Gretsch Electromatic G-5135 Corvette | Strings: Dean Markley Signature Series Nickel Steel Electric 11-52 |
| Epiphone Les Paul Traditional Pro Regular | Strings: Dean Markley Signature Series Nickel Steel Electric 11-52 |
| Alvarez 5022 | Strings: Martin Acoustic 80/20 Bronze Light 12-54 |
| Gibson LG-0 | Strings: Martin Acoustic 80/20 Bronze Light 12-54 |
| Deering Goodtime 2 banjo | Strings: Martin Bluegrass Nickel Wound Medium 10-22 |
| Morgan Monroe MMS-2 F-style mandolin | Strings: Martin Bluegrass 80/20 Bronze 11-38 |
| Amplifier & Related | |
| Marshall ASD100 amp | This is actually an acoustic amp, but don't let it fool you. You can easily play hard rock on it. It has two clean channels and also connections in the back for external effects plus two XLR connections. You wouldn't want to, but you could plug an entire band into this. |
| Vox AC15VR amp | This is my backup amp. |
| Vox AC30 headphone amp | solely for practice in my office |
| Marshall MS-4 Microstack | solely for practice in my office |
| Line 6 POD X3 effects box | I still own this incredibly versatile but unreliable device |
| Boss pedals | I have the TR-2 (Tremolo), FRV-1 (Fender 63 Reverb), and the OS-2 (Overdrive/Distortion), TU-2 (pedal tuner), and an AB-2 switching pedal so I can connect two guitars. |
| Other | |
| Shure SM58S microphone | The gold star in microphones |
| Capos | I use to prefer the Kyser quick change, though these will put some wear and tear to the back of the neck and will not last forever due to the spring tension. I have primarily switched to the Dunlop. I also use Shubb original capos. Stay away from the Glider or Third Hand capo; I have these and was very disappointed. Frankly, I own just about every capo style and probably should write an essay on them. They each have their own pros and cons. |
| Tuner | My Seiko is pretty good but I also use an AXL. Recently, however, I have begun relying on the Guitar Toolkit IPhone app. In any case, do not trust your ability to tune without an electronic tuner. And for best results, always plug your instrument directly into the tuner. For formal practices and performances, I use the BOSS TU-2 pedal tuner. |
Other Stuff
My recently formed band is called Capital Gains and consists of four business school professors and an alumnus. Our web site is www.capitalgainsmusic.com. I have done some songwriting and here is page that contains some sheet music and recordings.
And Finally
A rare photo from my teen years. That's me on the right at about age 16 playing a Fender Music Master through a Fender Super Reverb amp (not visible). I'm not left-handed. The photographer developed the negative reversed. But doesn't the left-hand look kind of give it a Jimi Hendrix-Kurt Cobain panache? Yeah, right.
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Last updated:
February 8, 2012